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home·artworks·Charles Edward Leith-Hay Clark
Charles Edward Leith-Hay Clark by Edward Robert Hughes

plate no. 8324

Charles Edward Leith-Hay Clark

Edward Robert Hughes

oilRomanticismportraitportraitboysailor suitboatfurniturered hair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and fabric textures. It also provides practice in creating subtle gradations of color and value to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the boy, the boat, and the background furniture.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color, such as the skin tones, the sailor suit, and the background.

  3. step 03

    Begin to refine the skin tones by layering different shades of pink, red, and yellow to create a realistic complexion.

  4. step 04

    Work on the details of the sailor suit, paying attention to the folds and shadows in the fabric.

  5. step 05

    Add details to the boat and the background furniture, using a small brush to create fine lines and textures.

  6. step 06

    Refine the highlights and shadows throughout the painting to create a sense of depth and dimension.

  7. step 07

    Pay close attention to the boy's facial features, capturing his likeness and expression.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · ivory black · raw umber

Mix skin tones using white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber for the dark blues of the suit. Mix white with small amounts of blue and umber to create the background.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle gradations of color and value.
  • →Ignoring the details of the fabric and furniture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint.

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