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home·artworks·Charles Dickens
Charles Dickens by Ary Scheffer

plate no. 0116

Charles Dickens

Ary Scheffer, 1855

oilRomanticismportraitportraitfiguremanclothinghandsface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value gradations for form, and capturing a likeness. It also provides practice in rendering fabric and hands.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Refine the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the form of the face and hands using subtle gradations of value and color.

  5. step 05

    Add details to the clothing, paying attention to the folds and drapery.

  6. step 06

    Refine the background, ensuring it complements the figure and does not distract from the focal point.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining umbers, black, and white. Use small amounts of red and yellow to warm the skin tones. Add blue to cool the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·value study
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of the facial features.
  • →Overworking the details and losing the overall form.
  • →Using colors that are too saturated or bright.
  • →Failing to create a convincing sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw umber, titanium white, ivory black, yellow ochre, cadmium red light, ultramarine blue)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use a canvas with a smooth surface for best results. Consider using a toned canvas to establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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