apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Charles Baudelaire
Charles Baudelaire by Georges Rochegrosse

plate no. 6550

Charles Baudelaire

Georges Rochegrosse

engravingArt Nouveau (Modern)portraitportraitfiguremanfacesskullclothing
experienced study

Recreating this engraving will help students understand cross-hatching techniques for creating value and form. It will also develop skills in depicting complex textures and rendering realistic facial features.

technical profile

palette complexity
2
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the figure and the surrounding elements.

  2. step 02

    Define the main shapes of the figure, including the head, body, and clothing.

  3. step 03

    Begin adding the darkest values using closely spaced lines, concentrating on areas of shadow.

  4. step 04

    Gradually build up the mid-tones by adding more lines, varying the spacing and direction to create texture.

  5. step 05

    Use lighter lines and wider spacing to represent the highlights and lighter areas.

  6. step 06

    Pay close attention to the direction of the lines to convey the form and volume of the subjects.

  7. step 07

    Refine the details of the face, clothing, and surrounding elements, adding finer lines and shading.

  8. step 08

    Add final touches and adjust the overall value contrast to achieve a balanced and harmonious composition.

color palette

primary · black · white

secondary · gray

Varying the density and layering of black lines on a white surface creates the illusion of gray tones.

techniques

  • ·cross-hatching
  • ·stippling
  • ·line weight variation
  • ·contour drawing
  • ·rendering

common pitfalls

  • →Applying lines too evenly, resulting in a flat and lifeless image.
  • →Failing to vary the direction of the lines, which can flatten the form.
  • →Overworking the details, which can create a cluttered and confusing composition.
  • →Ignoring the overall value structure, which can lead to a lack of depth and dimension.

materials

surface · smooth drawing paper

required

  • ·smooth paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·pencil sharpener
  • ·kneaded eraser

optional

  • ·tortillon
  • ·blending stump
  • ·magnifying glass

Use a variety of pencils to achieve a full range of values. A magnifying glass can be helpful for observing the details of the original engraving.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois