apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Chapel
Chapel by Ivan Grohar

plate no. 7142

Chapel

Ivan Grohar, 1907

oilImpressionismlandscapetreesbuildingchapellandscapefoliagearchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the impressionistic style of loose brushwork and broken color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the chapel, trees, and surrounding foliage, focusing on proportions and placement.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color with thin washes.

  3. step 03

    Begin layering colors to build depth and dimension in the foliage and building.

  4. step 04

    Use short, broken brushstrokes to create texture and capture the impressionistic feel.

  5. step 05

    Pay attention to the light and shadow, and adjust colors accordingly.

  6. step 06

    Add details to the chapel, such as windows and architectural features.

  7. step 07

    Refine the foliage and surrounding landscape, adding highlights and shadows.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · sap green · burnt umber · yellow ochre

secondary · titanium white · cadmium yellow · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue, then adjust with white or burnt umber. Achieve earthy tones by mixing burnt umber with yellow ochre and white.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·scumbling
  • ·wet-on-dry

common pitfalls

  • →over-blending colors
  • →losing the loose brushwork
  • →ignoring value changes
  • →overworking details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#6 round brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas to enhance the texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann