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home·artworks·Certosa (florence)
Certosa (florence) by Mariotto Albertinelli

plate no. 8802

Certosa (florence)

Mariotto Albertinelli, 1506

oilHigh Renaissancereligious paintingfigurescrucifixionangelslandscapereligioussky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective in a landscape. It also provides practice in color mixing to achieve the muted tones characteristic of Renaissance painting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and landscape.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the background landscape, focusing on creating depth through atmospheric perspective.

  4. step 04

    Begin to build up the forms of the figures, paying close attention to anatomy and drapery.

  5. step 05

    Refine the details of the faces and hands, adding subtle highlights and shadows.

  6. step 06

    Add the angels and the details of the cross.

  7. step 07

    Glaze the painting with thin layers of color to unify the overall tone and create a sense of depth.

  8. step 08

    Add final details and highlights.

color palette

primary · raw umber · yellow ochre · ultramarine blue · ivory black

secondary · cadmium red light · viridian · titanium white · gold

Achieve the muted tones by mixing complementary colors and using white to create subtle variations in value. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to create a convincing sense of depth in the landscape.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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