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home·artworks·Cemetery entrance
Cemetery entrance by Carl Julius von Leypold

plate no. 7857

Cemetery entrance

Carl Julius von Leypold

oilRomanticismlandscaperuinstreesfigureslandscapeskypath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures with subtle color variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins, figures, and tree.

  2. step 02

    Establish the sky and distant background with thin, blended washes of color.

  3. step 03

    Block in the main shapes of the ruins, paying attention to their form and perspective.

  4. step 04

    Add details to the tree, including branches and leaves, using a fine brush.

  5. step 05

    Paint the figures and dog, focusing on their relative scale and placement within the scene.

  6. step 06

    Develop the foreground with layers of color and texture to create depth.

  7. step 07

    Refine the details of the ruins, adding highlights and shadows to create a sense of age and decay.

  8. step 08

    Add final touches, such as birds in the sky and subtle atmospheric effects.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or black. Use thin glazes to build up color and create atmospheric effects.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Neglecting the subtle variations in tone and color within the ruins.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a toned canvas to create a more unified color scheme.

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