
plate no. 2779
Taras Shevchenko, 1846
This painting offers practice in creating atmospheric perspective and rendering architectural details with simplified forms. Students can develop skills in layering washes and capturing light and shadow on buildings.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the church, surrounding buildings, and the horizon line.
Establish the sky with a diluted wash of blue and yellow, creating soft cloud formations.
Apply a light wash of yellow and brown to the church, defining the basic structure and shadows.
Add details to the church, such as columns, windows, and the dome, using a fine brush.
Paint the surrounding buildings and trees with diluted washes of green, brown, and gray.
Add figures in the foreground, using simple shapes and colors to suggest their presence.
Refine the details and shadows, adding depth and dimension to the painting.
Add final touches, such as highlights on the dome and subtle variations in the sky.
color palette
primary · yellow ochre · cerulean blue · burnt sienna
secondary · raw umber · titanium white · cadmium yellow
Mix yellow ochre and burnt sienna for the building's warm tones. Use cerulean blue and white for the sky. Add raw umber to darken shadows.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling. Dilute the paints with plenty of water for transparent washes.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke