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home·artworks·Catherine Whitmore (née Thomason)
Catherine Whitmore (née Thomason) by Charles Turner

plate no. 6118

Catherine Whitmore (née Thomason)

Charles Turner, 1810

oilRomanticismportraitportraitfiguredresscurtainjewelryhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering fabric and decorative details.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, shoulders, dress, and background elements.

  2. step 02

    Establish the overall value structure by applying a thin wash of a mid-tone gray across the entire canvas.

  3. step 03

    Begin to build up darker values in the background and shadows on the figure, using smooth blending techniques.

  4. step 04

    Gradually add lighter values to the face, dress, and jewelry, focusing on accurate skin tones and highlights.

  5. step 05

    Refine the details of the hair, lace, and other decorative elements, using smaller brushes.

  6. step 06

    Pay close attention to the subtle transitions between light and shadow to create a sense of depth and volume.

  7. step 07

    Add the final highlights and details to the eyes, lips, and jewelry to bring the portrait to life.

  8. step 08

    Review the entire painting and make any necessary adjustments to the values, colors, and details.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt umber

Achieve the various shades of gray by mixing ivory black and titanium white in different proportions. Add small amounts of raw umber or yellow ochre to warm up the skin tones and fabric.

techniques

  • ·value studies
  • ·blending
  • ·portraiture
  • ·rendering fabric
  • ·grayscale painting

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Harsh transitions between light and shadow.
  • →Overworking the details before establishing the overall value structure.
  • →Using too much black, resulting in a muddy or lifeless painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 flat brush
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·burnt umber oil paint

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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oil painting for beginners →how to learn by studying the masters →
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