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home·artworks·Catherine Vorontsova
Catherine Vorontsova by Henry Raeburn

plate no. 2589

Catherine Vorontsova

Henry Raeburn, 1810

oilRomanticismportraitportraitfigureclothinghairfaceshawl
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering soft, diffused light. It also provides practice in depicting fabric and subtle details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with broad strokes of muted browns and grays, focusing on creating a soft, atmospheric effect.

  3. step 03

    Establish the main value areas on the face, using a limited palette of skin tones.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in color and value.

  5. step 05

    Paint the white shawl, capturing the folds and highlights with careful brushwork.

  6. step 06

    Add the dark shawl, focusing on the contrast between the dark fabric and the lighter areas.

  7. step 07

    Refine the details of the hair and clothing, adding subtle highlights and shadows.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point remains on the face.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Dark areas are created by mixing black and umber. The background is a blend of umber, black, and white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value studies
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the soft, diffused light.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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