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home·artworks·Cathedral Peak, Lake O'Hara
Cathedral Peak, Lake O'Hara by J. E. H. MacDonald

plate no. 8168

Cathedral Peak, Lake O'Hara

J. E. H. MacDonald, 1927

oilArt Nouveau (Modern)landscapemountainslaketreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to add texture and visual interest. It also provides practice in simplifying complex landscapes into basic shapes and forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain shapes, lake, and foreground.

  2. step 02

    Establish the sky with light washes of color, blending pinks, yellows, and blues.

  3. step 03

    Block in the mountain masses with a base layer of orange and brown hues.

  4. step 04

    Add shadows to the mountains using darker browns and purples, defining the peaks and ridges.

  5. step 05

    Paint the lake with a mix of blues and greens, reflecting the sky and surrounding landscape.

  6. step 06

    Develop the foreground with layers of greens and browns, using diagonal brushstrokes to suggest the slope.

  7. step 07

    Add details to the trees and rocks in the foreground, varying the brushstrokes for texture.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to create a sense of depth and atmosphere.

color palette

primary · orange · blue · green · brown

secondary · pink · yellow · purple

Achieve the mountain colors by mixing orange with browns and a touch of purple for shadows. The lake color is a blend of blue and green with white highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Ignoring the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (orange, blue, green, brown, white)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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