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home·artworks·Cathedral Church at Lincoln
Cathedral Church at Lincoln by J.M.W. Turner

plate no. 3376

Cathedral Church at Lincoln

J.M.W. Turner, 1795

watercolor, paperRomanticismcityscapecathedralbuildingscityscapefiguresskyarchitecture
experienced study

Recreating this painting will help students develop skills in architectural rendering and atmospheric perspective. It also provides practice in creating depth through layering and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and cathedral.

  2. step 02

    Establish the sky with a light wash of blue and gray, suggesting clouds.

  3. step 03

    Apply a thin wash of warm colors (yellow ochre, raw sienna) to the buildings, establishing the base tones.

  4. step 04

    Begin adding details to the cathedral and buildings, working from light to dark, using a fine brush.

  5. step 05

    Layer washes of color to create depth and shadow, paying attention to the light source.

  6. step 06

    Add details to the figures and horses in the foreground, using small brushstrokes.

  7. step 07

    Use dry brush techniques to create texture on the buildings and ground.

  8. step 08

    Refine the details and add final touches to the sky and foreground.

color palette

primary · yellow ochre · raw sienna · ultramarine blue

secondary · burnt umber · ivory black · light red

Mix yellow ochre and raw sienna for the warm tones of the buildings. Use ultramarine blue and burnt umber to create various shades of gray for the sky and shadows. Light red can be used sparingly to add warmth to certain areas.

techniques

  • ·atmospheric perspective
  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·architectural rendering

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by over-mixing
  • →Ignoring the perspective lines
  • →Not establishing a clear light source

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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