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home·artworks·Cassius Marcellus Clay, abolitionist from Kentucky
Cassius Marcellus Clay, abolitionist from Kentucky by Currier and Ives

plate no. 4838

Cassius Marcellus Clay, abolitionist from Kentucky

Currier and Ives, 1846

oilRomanticismportraitportraitfigurecurtainclothingdocumentchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow on the face. It also provides practice in depicting fabric textures and folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using a mid-tone.

  3. step 03

    Refine the facial features, paying attention to the subtle variations in value.

  4. step 04

    Add details to the hair, creating texture and volume.

  5. step 05

    Block in the colors of the curtain and chair, focusing on the folds and highlights.

  6. step 06

    Develop the details of the clothing, including the collar, tie, and jacket.

  7. step 07

    Add the document in his hand, paying attention to the highlights and shadows.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic image.

color palette

primary · ivory black · crimson red · raw umber · titanium white

secondary · cerulean blue · yellow ochre · payne's gray

Mix various shades of gray and brown by combining black, white, and umber. Use red and white to create the curtain color, adding black for shadows. Mix blue and white for the chair.

techniques

  • ·portrait sketching
  • ·value shading
  • ·fabric rendering
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or muddy shadows
  • →Lack of detail in the clothing
  • →Flat or lifeless colors
  • →Ignoring the subtle variations in value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils
  • ·ivory black oil paint
  • ·crimson red oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas for best results. Consider using a toned ground to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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