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home·artworks·Cascading Brook
Cascading Brook by Robert Lewis Reid

plate no. 8431

Cascading Brook

Robert Lewis Reid, 1916

oilImpressionismlandscapewaterfallstreamrocksfoliagetreeslandscape
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to represent light and texture in a natural setting. Students will also learn to simplify complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the waterfall, stream, and major rock formations.

  2. step 02

    Block in the main color areas with thin washes, starting with the background foliage and then moving to the water and rocks.

  3. step 03

    Build up layers of color using short, broken brushstrokes to create texture and visual interest.

  4. step 04

    Pay attention to the direction of light and shadow, using lighter colors for highlights and darker colors for shadows.

  5. step 05

    Add details to the waterfall and stream, using white and light blue to represent the movement of water.

  6. step 06

    Refine the foliage with various shades of green, yellow, and brown, adding small touches of color to suggest flowers and leaves.

  7. step 07

    Add final touches and highlights to create depth and dimension.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · sap green · ultramarine blue · burnt umber

secondary · titanium white · cadmium yellow · alizarin crimson · violet

Mix greens by combining yellow ochre and ultramarine blue. Create earth tones by mixing burnt umber with other colors. Use white to lighten colors and create highlights.

techniques

  • ·broken brushstrokes
  • ·color layering
  • ·wet-on-dry blending
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to capture the light and shadow accurately.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·assorted round and flat brushes
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium can be used to thin the paint and speed up drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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