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home·artworks·Carthusian monks in Certosa di San Giacomo on Capri
Carthusian monks in Certosa di San Giacomo on Capri by Franz Ludwig Catel

plate no. 2234

Carthusian monks in Certosa di San Giacomo on Capri

Franz Ludwig Catel, 1823

oil, canvasRomanticisminteriormonksarchitecturearchesmoonlightseabuildings
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering light and shadow, and creating a sense of depth through careful layering of values and colors. Students will also learn to depict figures in a believable way using light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural elements, figures, and horizon line.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Focus on the light source (moon and interior light) and how it affects the surrounding objects.

  4. step 04

    Develop the architectural details, paying attention to the perspective and the way light interacts with the surfaces.

  5. step 05

    Refine the figures, using light and shadow to create form and volume.

  6. step 06

    Add details to the sea and sky, capturing the subtle gradations of color and value.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final highlights and details to enhance the sense of realism.

color palette

primary · raw umber · ivory black · yellow ochre · titanium white

secondary · ultramarine blue · burnt sienna · cadmium yellow

Achieve the warm interior light by mixing yellow ochre, burnt sienna, and white. Create the cool moonlight by mixing ultramarine blue, ivory black, and white. Use raw umber and ivory black for the darker areas.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·grisaille underpainting

common pitfalls

  • →Getting the perspective of the arches wrong.
  • →Failing to create a strong sense of depth.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Not capturing the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use a high-quality canvas and oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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