apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Carousel
Carousel by Margit Selska

plate no. 4829

Carousel

Margit Selska, 1932

oilImpressionismgenre paintingfigureshorseballoonchildrencarousel
some experience helpful

This painting provides practice in rendering soft, diffused light and creating subtle color variations within a limited palette. Students will develop skills in capturing the essence of a subject rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and placement.

  2. step 02

    Block in the background with a thin wash of muted colors.

  3. step 03

    Establish the basic colors of the figures and horse, using a limited palette.

  4. step 04

    Begin layering paint to build up form and depth, paying attention to light and shadow.

  5. step 05

    Add details to the faces and clothing, keeping the brushstrokes loose and expressive.

  6. step 06

    Paint the balloon and the horse's harness with brighter colors to create focal points.

  7. step 07

    Refine the edges and blend colors to create a soft, dreamlike quality.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · titanium white · ultramarine blue · yellow ochre · alizarin crimson

secondary · raw umber · burnt sienna

Mix white with small amounts of other colors to create the muted tones. Use yellow ochre and raw umber to create the horse's color. Mix alizarin crimson with a touch of blue for the balloon.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color blending
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too bright or saturated.
  • →Neglecting the importance of light and shadow.
  • →Failing to capture the proportions of the figures and horse.
  • →Creating harsh lines instead of soft edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann