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home·artworks·Caroline Philips, Lady Trevelyan with Her Son Charles, Later Sir Charles Philips Trevelian, 3rd Bt
Caroline Philips, Lady Trevelyan with Her Son Charles, Later Sir Charles Philips Trevelian, 3rd Bt by James Archer

plate no. 9797

Caroline Philips, Lady Trevelyan with Her Son Charles, Later Sir Charles Philips Trevelian, 3rd Bt

James Archer, 1871

oilRomanticismportraitportraitfigureslandscapetreesclothingsky
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmosphere in a landscape background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Block in the background landscape with broad strokes, focusing on the overall color and value relationships.

  3. step 03

    Establish the basic skin tones of the figures, using a limited palette and focusing on accurate values.

  4. step 04

    Begin refining the details of the faces, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add the clothing, starting with the larger shapes and gradually adding details like folds and ruffles.

  6. step 06

    Paint the shawl, capturing its texture and the way it drapes over the figure.

  7. step 07

    Refine the background, adding details to the trees and sky.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white for the shawl, adjusting the value with black or umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the likeness of the subjects.
  • →Creating muddy or dull colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this painting.

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oil painting for beginners →how to learn by studying the masters →
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