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home·artworks·Carneddau Mountains from Pencerrig
Carneddau Mountains from Pencerrig by Thomas Jones

plate no. 9997

Carneddau Mountains from Pencerrig

Thomas Jones, 1776

oilRomanticismlandscapemountainstreesfieldsskylandscapehills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering various textures found in nature, such as foliage and fields.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, hills, and fields, paying attention to the overall composition.

  2. step 02

    Block in the sky with a thin wash of light gray, blending it slightly darker towards the top.

  3. step 03

    Establish the distant hills with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the larger masses of trees, using darker greens and browns for the shadows and lighter, warmer tones for the highlights.

  5. step 05

    Add details to the fields, varying the greens and browns to create a sense of texture and depth.

  6. step 06

    Introduce the foreground elements, such as the fence and the darker green field, adding subtle details.

  7. step 07

    Refine the details in the trees, adding individual leaves and branches with small brushstrokes.

  8. step 08

    Add final touches to the sky and mountains, softening edges and adjusting values to create atmospheric perspective.

color palette

primary · titanium white · raw umber · sap green · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix muted greens by combining sap green, raw umber, and a touch of yellow ochre. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated, which can flatten the image.
  • →Ignoring the subtle shifts in color temperature that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for a good balance of texture and smoothness. Consider using a pre-toned canvas with a light gray or brown wash to simplify the initial stages.

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oil painting for beginners →how to learn by studying the masters →
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