
plate no. 9997
Thomas Jones, 1776
Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering various textures found in nature, such as foliage and fields.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the mountains, hills, and fields, paying attention to the overall composition.
Block in the sky with a thin wash of light gray, blending it slightly darker towards the top.
Establish the distant hills with muted greens and browns, using lighter values for areas further away.
Paint the larger masses of trees, using darker greens and browns for the shadows and lighter, warmer tones for the highlights.
Add details to the fields, varying the greens and browns to create a sense of texture and depth.
Introduce the foreground elements, such as the fence and the darker green field, adding subtle details.
Refine the details in the trees, adding individual leaves and branches with small brushstrokes.
Add final touches to the sky and mountains, softening edges and adjusting values to create atmospheric perspective.
color palette
primary · titanium white · raw umber · sap green · yellow ochre
secondary · burnt sienna · ultramarine blue · cadmium yellow light
Mix muted greens by combining sap green, raw umber, and a touch of yellow ochre. Achieve atmospheric perspective by adding white to colors for distant elements.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for a good balance of texture and smoothness. Consider using a pre-toned canvas with a light gray or brown wash to simplify the initial stages.
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