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home·artworks·Carabinier
Carabinier by Théodore Géricault

plate no. 5281

Carabinier

Théodore Géricault, 1814

oilRomanticismportraitportraitfigurearmormilitarymanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing the likeness and expression of a subject, and in rendering the textures and reflections of metallic armor.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and arms.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Begin blocking in the local colors of the skin, clothing, and armor, focusing on the overall color relationships.

  4. step 04

    Develop the form of the face, adding details to the eyes, nose, and mouth, and refining the contours of the head.

  5. step 05

    Work on the armor, carefully observing the highlights and shadows to create a sense of depth and dimension.

  6. step 06

    Add details to the clothing, including the collar, cuffs, and any other decorative elements.

  7. step 07

    Refine the background, ensuring that it complements the figure and does not distract from the main subject.

  8. step 08

    Add final details and highlights to complete the painting, paying attention to the overall harmony and balance.

color palette

primary · burnt umber · titanium white · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Achieve the metallic sheen of the armor by layering thin glazes of yellow ochre, burnt umber, and ivory black, and adding small highlights of titanium white. Mix skin tones using varying proportions of titanium white, yellow ochre, and cadmium red, with small amounts of burnt umber and ultramarine blue for shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·rendering metal

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall values.
  • →Failing to capture the likeness of the subject.
  • →Making the armor look flat and lifeless.
  • →Ignoring the importance of the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to provide a good surface for the oil paint. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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