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home·artworks·Capri
Capri by Theodore Robinson

plate no. 3635

Capri

Theodore Robinson, 1890

oilImpressionismlandscapebuildingslandscapehillsideskyvegetationtown
some experience helpful

This painting provides a good exercise in capturing light and shadow on complex forms using broken color and visible brushstrokes. Students will learn to simplify details and focus on the overall impression of the scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountain, buildings, and foreground.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the darkest shadows on the mountain and buildings using a mix of burnt umber and ultramarine blue.

  4. step 04

    Begin layering in the mid-tones on the mountain with greens, yellows, and browns, using broken brushstrokes.

  5. step 05

    Paint the buildings, focusing on the light and shadow patterns created by the sun.

  6. step 06

    Add details to the foreground vegetation with short, broken strokes of green, brown, and yellow.

  7. step 07

    Introduce subtle color variations and highlights to create depth and interest.

  8. step 08

    Refine the details and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · cadmium red · viridian green

Mix greens by combining ultramarine blue and cadmium yellow. Achieve earthy tones by blending burnt umber with yellow ochre and white. Use white to lighten values and create subtle variations in color.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking details
  • →Using colors straight from the tube without mixing
  • →Ignoring the light and shadow patterns
  • →Failing to simplify the composition
  • →Creating muddy colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a limited palette to simplify color mixing. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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