
plate no. 3635
Theodore Robinson, 1890
This painting provides a good exercise in capturing light and shadow on complex forms using broken color and visible brushstrokes. Students will learn to simplify details and focus on the overall impression of the scene.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the mountain, buildings, and foreground.
Block in the sky with a thin wash of light blue and white.
Establish the darkest shadows on the mountain and buildings using a mix of burnt umber and ultramarine blue.
Begin layering in the mid-tones on the mountain with greens, yellows, and browns, using broken brushstrokes.
Paint the buildings, focusing on the light and shadow patterns created by the sun.
Add details to the foreground vegetation with short, broken strokes of green, brown, and yellow.
Introduce subtle color variations and highlights to create depth and interest.
Refine the details and adjust values as needed to create a cohesive and atmospheric painting.
color palette
primary · titanium white · yellow ochre · burnt umber · ultramarine blue
secondary · cadmium yellow · cadmium red · viridian green
Mix greens by combining ultramarine blue and cadmium yellow. Achieve earthy tones by blending burnt umber with yellow ochre and white. Use white to lighten values and create subtle variations in color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a medium to thin the paint and improve flow.
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