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home·artworks·Capri
Capri by Franz Richard Unterberger

plate no. 3252

Capri

Franz Richard Unterberger, 1880

oil, canvasRomanticismcityscapecityscapebuildingsmountainfiguresskyvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and color variations. It also provides practice in rendering architectural details and figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, city, and foreground elements.

  2. step 02

    Establish the sky with a gradient of yellows and oranges, blending smoothly.

  3. step 03

    Block in the mountain using darker shades of burnt sienna and umber, creating highlights and shadows.

  4. step 04

    Paint the city buildings with a mix of warm colors, varying the tones to suggest depth and form.

  5. step 05

    Add details to the buildings, such as windows and roofs, using smaller brushes.

  6. step 06

    Paint the foreground vegetation with a mix of greens and browns, adding texture with dry brush techniques.

  7. step 07

    Add figures to the foreground, paying attention to their proportions and placement.

  8. step 08

    Refine the details and add final highlights to create a sense of realism.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · raw umber · cadmium yellow · alizarin crimson

Achieve the warm, atmospheric tones by mixing burnt sienna with yellow ochre and white. Use ultramarine blue and burnt sienna to create darker shades for shadows and depth.

techniques

  • ·atmospheric perspective
  • ·dry brush texture
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the city, which can flatten the image.
  • →Failing to create a sense of depth through color and value variations.
  • →Using too much detail in the background, which can distract from the foreground.
  • →Not blending the sky colors smoothly, resulting in a patchy appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to establish a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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