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home·artworks·Cannon Street Station
Cannon Street Station by Algernon Talmage

plate no. 6409

Cannon Street Station

Algernon Talmage, 1908

oilImpressionismcityscapetrain stationfiguresarchitecturesmokelightscarriage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of light and movement within a complex scene. It's also a good exercise in simplifying details and focusing on overall tonal relationships.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic structure of the train station, focusing on the large shapes and perspective.

  2. step 02

    Establish the overall tonal values with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the large areas of color, such as the sky visible through the station windows and the darker areas of the architecture.

  4. step 04

    Begin to add details to the figures and carriages, using small brushstrokes and varying the colors slightly to create a sense of depth.

  5. step 05

    Pay attention to the light sources and how they affect the colors and values of the scene.

  6. step 06

    Add the smoke and steam using soft, blended brushstrokes.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Add final touches and adjust values as needed to achieve the desired atmospheric effect.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · cadmium yellow · titanium white · alizarin crimson

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use ultramarine blue and burnt umber to create a range of grays and blacks for the shadows.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·tonal painting
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong tonal foundation.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a mid-tone value from the start.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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