apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Campagna landscape
Campagna landscape by Heinrich Bürkel

plate no. 8082

Campagna landscape

Heinrich Bürkel

oilRomanticismlandscapelandscaperuinsmountainsfiguresskyvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures of stone and foliage. It also provides practice in depicting figures and animals within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins, mountains, and figures.

  2. step 02

    Block in the sky with light blue, gradually adding clouds with white and touches of gray.

  3. step 03

    Establish the distant mountains with muted blues and greens, using lighter values for areas further away.

  4. step 04

    Paint the ruins with a base of burnt sienna and raw umber, adding highlights and shadows to create depth and texture.

  5. step 05

    Add the foliage around the ruins and along the path, using a variety of greens and browns.

  6. step 06

    Paint the figures and animals, paying attention to their proportions and placement within the scene.

  7. step 07

    Refine the details of the ruins, foliage, and figures, adding highlights and shadows to enhance realism.

  8. step 08

    Add final touches and glazes to unify the painting and create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt sienna · raw umber · titanium white

secondary · yellow ochre · sap green · cadmium yellow light

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Failing to establish a strong value structure, resulting in a flat or muddy painting.
  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Ignoring the principles of atmospheric perspective, causing the distant elements to appear too sharp and vibrant.
  • →Not creating enough variation in the foliage, resulting in a monotonous and unconvincing landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help establish a warm undertone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke