apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Calvary, central panel of a triptych
Calvary, central panel of a triptych by Maerten van Heemskerck

plate no. 2659

Calvary, central panel of a triptych

Maerten van Heemskerck, 1547

oil, canvasMannerism (Late Renaissance)religious paintingcrucifixionfigureshorsescrowdreligious scenecross
advanced study

Recreating this painting will develop skills in figure drawing, complex composition, and rendering dramatic lighting. Students will also learn to mix subtle skin tones and create a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the main figures and the cross.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for the figures, horses, and landscape, using a limited palette.

  4. step 04

    Develop the figures one by one, paying attention to anatomy, light, and shadow.

  5. step 05

    Add details to the clothing, armor, and other objects, using smaller brushes.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and drama.

  7. step 07

    Add highlights to the figures and objects to create a sense of realism.

  8. step 08

    Glaze thin layers of color to unify the painting and create subtle variations in tone.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix skin tones by combining white, yellow ochre, burnt sienna, and a touch of red. Create shadows by adding burnt umber and black to the skin tone mixture. Use ultramarine blue and burnt umber to create dark, muted tones for clothing and shadows.

techniques

  • ·figure drawing
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →getting lost in the details too early
  • →overworking the painting
  • →inaccurate proportions
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti