apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·California Tower
California Tower by Maurice Braun

plate no. 3438

California Tower

Maurice Braun, 1915

oilImpressionismcityscapearchitecturelandscapeskybridgetreesriver
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering techniques to create depth and texture in the landscape and sky.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the tower, bridge, and landscape elements.

  2. step 02

    Block in the sky with light blue and pink hues, creating soft cloud shapes.

  3. step 03

    Establish the base colors for the buildings and bridge, focusing on warm whites and creams.

  4. step 04

    Layer in the landscape with greens, yellows, and browns, using broken brushstrokes to suggest foliage.

  5. step 05

    Add details to the tower and buildings, defining architectural features with darker values.

  6. step 06

    Paint the bridge supports, paying attention to the light and shadow on the cylindrical forms.

  7. step 07

    Refine the water with subtle reflections of the sky and surrounding landscape.

  8. step 08

    Add final highlights and details to create a sense of atmosphere and depth.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · alizarin crimson · viridian green

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the warm whites of the buildings by mixing titanium white with small amounts of yellow ochre and burnt sienna. Use alizarin crimson to create pink hues for the clouds.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →overmixing colors, resulting in muddy tones
  • →flattening the perspective by not varying the color intensity
  • →overworking details too early in the process
  • →neglecting the subtle color variations in the sky and landscape

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann