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home·artworks·Cafe in Paris
Cafe in Paris by Joaquín Sorolla

plate no. 1788

Cafe in Paris

Joaquín Sorolla, 1885

oil, canvasImpressionismgenre paintingfiguresgardentableflowersarchitecturewine
some experience helpful

Recreating this painting will help students develop skills in capturing fleeting moments with loose brushwork and understanding how light affects color in an outdoor setting. It also provides practice in painting figures in a naturalistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of key elements like the figures, table, and architecture.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the overall values and color relationships.

  3. step 03

    Develop the background elements, such as the garden and architecture, with loose, expressive brushstrokes.

  4. step 04

    Refine the figures, paying attention to the light and shadow on their forms and clothing.

  5. step 05

    Add details to the table setting, including the glassware, flowers, and other objects.

  6. step 06

    Use thicker paint and more visible brushstrokes to create texture and visual interest.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · viridian green · ivory black

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the skin tones by mixing titanium white, yellow ochre, and a small amount of cadmium red.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·glazing

common pitfalls

  • →Overworking the details and losing the spontaneity of the impressionistic style.
  • →Failing to capture the correct values and color relationships, resulting in a flat or unrealistic painting.
  • →Ignoring the importance of light and shadow in creating form and depth.
  • →Using too much detail in the background, which can distract from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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