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home·artworks·Cafe in Paris
Cafe in Paris by Amadeo de Souza-Cardoso

plate no. 8106

Cafe in Paris

Amadeo de Souza-Cardoso, 1908

oilImpressionismgenre paintingfigurestablecafeinteriorhatsbottle
some experience helpful

This painting is a good exercise in capturing a scene with loose, expressive brushstrokes and simplified forms. Recreating it will help students understand how to suggest details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the table and figures.

  2. step 02

    Block in the large areas of color using thin washes, starting with the background and then the table.

  3. step 03

    Begin adding thicker paint and more defined brushstrokes to the figures and foreground elements.

  4. step 04

    Use a variety of brushstrokes to create texture and visual interest, such as short, choppy strokes for the figures and longer strokes for the background.

  5. step 05

    Pay attention to the light and shadow, and use contrasting values to create depth and form.

  6. step 06

    Add details such as the bottle and glasses on the table, but keep them loose and impressionistic.

  7. step 07

    Refine the colors and values, making sure the overall painting has a harmonious feel.

  8. step 08

    Step back and assess the painting, making any final adjustments as needed.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium orange · sap green

Mix browns and grays by combining umber, blue, and white. Use yellow ochre and white for the table cloth. Orange can be achieved by mixing red and yellow.

techniques

  • ·impasto
  • ·broken color
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing the overall impression.
  • →Not paying attention to the values and creating a flat, uninteresting painting.
  • →Using colors straight from the tube without mixing them to create subtle variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for good paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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