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home·artworks·Café des Incoherents, Montmartre
Café des Incoherents, Montmartre by Santiago Rusinol

plate no. 3228

Café des Incoherents, Montmartre

Santiago Rusinol

oilImpressionismgenre paintingcafefiguresinteriortablesbarpaintings
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the mood of an interior scene. It also provides practice in painting figures in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the tables and the placement of figures.

  2. step 02

    Establish the overall color scheme with a thin wash of warm browns and grays.

  3. step 03

    Block in the main shapes of the figures, paying attention to their proportions and poses.

  4. step 04

    Develop the details of the foreground figures, including their clothing and facial features.

  5. step 05

    Add the details of the bar area and the paintings on the wall, using smaller brushes.

  6. step 06

    Create depth by softening the edges of objects in the background and reducing the contrast.

  7. step 07

    Add highlights to the figures and objects to create a sense of light and shadow.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre · titanium white

Mix browns with black and a touch of red for the darker areas. Use white and yellow ochre to create highlights and lighter tones.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Getting the perspective wrong, which can make the painting look distorted.
  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to create a sense of depth, which can make the painting look flat.
  • →Using colors that are too bright or saturated, which can clash with the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for better blending and layering of colors. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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