apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cabinet De Flaubert À Croisset
Cabinet De Flaubert À Croisset by Georges Rochegrosse

plate no. 2832

Cabinet De Flaubert À Croisset

Georges Rochegrosse, 1874

oilImpressionisminteriorinteriorbookshelvesfurnituretablechairwindow
some experience helpful

Recreating this painting will help students develop skills in depicting complex interior spaces with loose brushwork and capturing the overall atmosphere using a limited color palette. It will also improve their ability to suggest detail rather than rendering every object precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of major elements like the bookshelves, tables, and chair.

  2. step 02

    Establish the overall value structure by applying a thin wash of diluted brown and gray tones across the entire surface.

  3. step 03

    Begin adding darker values to define the shadows and create depth, particularly in the corners and behind furniture.

  4. step 04

    Introduce the primary colors (browns, blues, and reds) to indicate the furniture, books, and fabrics.

  5. step 05

    Use short, broken brushstrokes to suggest the details of the bookshelves and the textures of the fabrics.

  6. step 06

    Add highlights using lighter washes of color, focusing on areas where light is hitting the objects.

  7. step 07

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final touches with darker lines to define edges and create contrast.

color palette

primary · burnt umber · Prussian blue · raw sienna

secondary · cadmium red · ivory black · titanium white

Achieve the various browns by mixing burnt umber with raw sienna and small amounts of black or red. Create the blues by mixing Prussian blue with white or black. Use white to lighten colors and create highlights.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Not capturing the atmospheric perspective.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels
  • ·sketching pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paints for best results. Experiment with different brush sizes and techniques to achieve the desired effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann