apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Córdoba
Córdoba by Julio Romero de Torres

plate no. 6124

Córdoba

Julio Romero de Torres, 1916

oilArt Nouveau (Modern)portraitfiguresportraitsdresseslandscapecityscapetext
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing to achieve muted tones, and rendering fabric and lace details. It's also a good exercise in creating a balanced composition with figures and text.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the large areas of color, starting with the background and then the figures' clothing.

  3. step 03

    Begin to refine the shapes and values of the figures, paying attention to the light and shadow.

  4. step 04

    Mix the skin tones and carefully paint the faces, focusing on the eyes and mouth.

  5. step 05

    Add details to the clothing, such as the lace and folds.

  6. step 06

    Paint the text and the shield with the year.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Add highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · viridian green · cadmium red light · ivory black

Achieve the muted tones by mixing complementary colors (e.g., a touch of red into green) and adding white to soften the intensity. Use yellow ochre and burnt umber as a base for many of the colors.

techniques

  • ·portrait painting
  • ·glazing
  • ·color mixing
  • ·rendering fabric
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Using a toned canvas (e.g., with a wash of burnt umber) can help to create a more harmonious color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois