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home·artworks·By The River
By The River by Theodore Robinson

plate no. 4761

By The River

Theodore Robinson, 1887

oilImpressionismgenre paintingfiguretreeswaterduckfoliagegrass
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow in a natural setting, as well as practicing loose, impressionistic brushwork to create texture and depth. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, trees, water, and horizon line.

  2. step 02

    Block in the large areas of color: sky, grass, trees, and water, using thin washes.

  3. step 03

    Establish the basic values: darks in the trees and shadows, lights in the sky and highlights on the grass.

  4. step 04

    Begin adding details to the figure, focusing on the folds of the clothing and the facial features.

  5. step 05

    Develop the foliage with short, broken brushstrokes, using a variety of greens and yellows.

  6. step 06

    Add reflections in the water, using slightly darker and blurred versions of the surrounding colors.

  7. step 07

    Paint the duck with simple shapes and values, paying attention to the highlights and shadows.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · sap green · ultramarine blue · raw umber · yellow ochre

secondary · titanium white · burnt sienna · cadmium yellow light

Mix greens by combining blue and yellow. Use white to lighten values and create highlights. Create shadows by adding umber or sienna to the base colors.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating colors that are too saturated and unnatural.
  • →Failing to establish a clear value structure.
  • →Not simplifying the foliage enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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