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home·artworks·Buying Polo Ponies in the West
Buying Polo Ponies in the West by Frederic Remington

plate no. 2350

Buying Polo Ponies in the West

Frederic Remington, 1905

oilImpressionismgenre paintinghorsesfiguresbuildingslandscapewesternanimals
some experience helpful

Recreating this painting will help students develop skills in depicting figures and animals in a landscape setting, and understanding how light affects form and color. It also provides practice in creating depth using atmospheric perspective and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horse, figures, buildings, and horizon line.

  2. step 02

    Block in the large areas of color: the sky, ground, buildings, and major color masses of the figures and horse.

  3. step 03

    Establish the light and shadow patterns on the horse and figures, paying attention to the direction of the light source.

  4. step 04

    Refine the shapes and details of the figures, horse, and buildings, adding details like saddles, hats, and clothing.

  5. step 05

    Develop the background landscape, using lighter colors and less detail to create depth.

  6. step 06

    Add highlights and details to the foreground, such as the shadows and textures of the ground.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · raw umber · cadmium yellow light · alizarin crimson

Mix browns and earth tones by combining burnt sienna, raw umber, and ultramarine blue. Use white to lighten values and create highlights. Mix subtle variations of colors for the ground and sky.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color temperature

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of atmospheric perspective in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·painting medium
  • ·varnish
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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