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home·artworks·Buttermilk Falls
Buttermilk Falls by Robert Lewis Reid

plate no. 2782

Buttermilk Falls

Robert Lewis Reid

oilImpressionismlandscapewaterfallrocksfoliagestreamlandscapetrees
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture the texture and movement of water and foliage. It also provides practice in creating depth and form using broken color and varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the waterfall, rocks, and foliage.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up the texture of the rocks and foliage with short, broken brushstrokes.

  4. step 04

    Focus on capturing the movement of the water by using dynamic brushstrokes and varying the value and color.

  5. step 05

    Add highlights to the water and foliage to create a sense of depth and dimension.

  6. step 06

    Refine the details of the rocks and foliage, paying attention to the subtle variations in color and texture.

  7. step 07

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · titanium white · cadmium yellow

secondary · burnt sienna · viridian green · alizarin crimson

Achieve the greens by mixing cadmium yellow and ultramarine blue, adjusting the ratio for warmer or cooler tones. Use burnt sienna and ultramarine blue to create muted browns and grays for the rocks. Add white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·dry brushing
  • ·scumbling
  • ·wet-on-dry

common pitfalls

  • →Overblending the colors, resulting in a muddy or flat appearance.
  • →Neglecting to vary the brushstrokes, leading to a monotonous texture.
  • →Failing to capture the movement of the water, resulting in a static or lifeless image.
  • →Ignoring the subtle variations in color and value, leading to a lack of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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