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home·artworks·Bust of Alice Gamby
Bust of Alice Gamby by Berthe Morisot

plate no. 4589

Bust of Alice Gamby

Berthe Morisot, 1890

oil, canvasImpressionismportraitportraitfiguredressfoliageindooryoung woman
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing soft, diffused light using impressionistic brushstrokes. It also provides practice in depicting fabric and subtle details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up layers of color in the face, focusing on subtle transitions.

  4. step 04

    Work on the dress, capturing the folds and highlights with loose brushstrokes.

  5. step 05

    Develop the background foliage, using darker greens and blues to create depth.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, with careful attention to shape and value.

  7. step 07

    Refine the highlights and shadows throughout the painting, blending edges as needed.

  8. step 08

    Add final touches and details, such as the small floral patterns on the dress.

color palette

primary · titanium white · yellow ochre · raw umber · alizarin crimson

secondary · viridian green · ultramarine blue · cadmium yellow light

Mix skin tones by blending white, yellow ochre, raw umber, and alizarin crimson. Use varying proportions to achieve different shades and hues. Greens are created by mixing blues and yellows, with umber added for darker tones.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details in the face, resulting in a stiff or unnatural appearance.
  • →Using too much dark paint in the background, which can flatten the image.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Losing the loose, impressionistic feel of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, yellow ochre, raw umber, alizarin crimson, viridian green, ultramarine blue, cadmium yellow light)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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