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home·artworks·Burning Steamship
Burning Steamship by Marcus Larson

plate no. 7501

Burning Steamship

Marcus Larson, 1857

oilRomanticismmarinashipseacloudsfirestormsmoke
experienced study

Recreating this painting will help students develop skills in dramatic lighting, atmospheric perspective, and capturing the movement of water and clouds. It also provides practice in rendering complex shapes like a ship in perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ship and the horizon line.

  2. step 02

    Establish the darkest and lightest areas of the painting with thin washes of color.

  3. step 03

    Block in the main shapes of the clouds and the sea, paying attention to the direction of light.

  4. step 04

    Begin to refine the details of the ship, including the masts, rigging, and hull.

  5. step 05

    Add the flames and smoke, using a variety of warm colors and loose brushstrokes.

  6. step 06

    Develop the texture of the water with short, choppy brushstrokes.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and drama.

  8. step 08

    Add final details, such as the reflections of the flames in the water.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light · ultramarine blue

Mix blacks and browns with small amounts of blue to create depth. Use yellow ochre and white for highlights in the clouds and water. Mix burnt sienna and cadmium red for the flames.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details of the ship, losing the overall sense of atmosphere.
  • →Making the clouds too uniform and lacking in texture.
  • →Failing to create a strong sense of depth and distance.
  • →Using colors that are too bright or saturated, resulting in a painting that looks unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted round and flat brushes
  • ·palette knife
  • ·palette
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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