apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bundling Forces in Rough Seas
Bundling Forces in Rough Seas by Andreas Achenbach

plate no. 5308

Bundling Forces in Rough Seas

Andreas Achenbach, 1888

oil, canvasRomanticismmarinashipsstormy seasfortressdramatic skywavesmaritime
experienced study

Students would develop skills in atmospheric perspective, creating dramatic lighting effects, and painting dynamic water movement while learning to balance complex compositions with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Block in the overall composition with thin washes, establishing the horizon line and major shapes

  2. step 02

    Paint the stormy sky first, working wet-on-wet to blend the dramatic clouds

  3. step 03

    Establish the fortress and cliffs using warm earth tones for structure

  4. step 04

    Paint the middle-ground waves with bold directional strokes

  5. step 05

    Add the sailing vessels, paying attention to their angles and relationship to the waves

  6. step 06

    Develop the foreground waves with texture and foam details

  7. step 07

    Refine the atmospheric perspective in the background

  8. step 08

    Add final details to ships, figures, and highlight the dramatic lighting

color palette

primary · burnt umber · raw sienna · titanium white · payne's gray

secondary · cadmium red · yellow ochre · ultramarine blue · burnt sienna

Mix warm grays for the stormy sky using burnt umber and white, create foam with pure white mixed with touches of blue-gray

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·directional brushwork for waves
  • ·glazing for depth
  • ·impasto for wave texture

common pitfalls

  • →overworking the wave foam
  • →losing the dramatic value contrast
  • →making the composition too busy
  • →incorrect perspective on the ships

materials

surface · primed stretched canvas or canvas board

required

  • ·#6 flat brush
  • ·#10 flat brush
  • ·#2 round brush
  • ·palette knife
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·stretched canvas 20x24

optional

  • ·fan brush for texture
  • ·painting medium
  • ·cadmium red oil paint
  • ·yellow ochre oil paint

Use a medium-toned ground to help establish the dramatic value relationships from the start

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke