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home·artworks·Brussels, the Louvain Canal
Brussels, the Louvain Canal by Eugene Boudin

plate no. 5977

Brussels, the Louvain Canal

Eugene Boudin

oilImpressionismcityscapecanalbuildingsboatstreeswatersky
some experience helpful

This painting provides a good opportunity to practice capturing reflections in water and creating atmospheric perspective. Students can also learn to simplify complex scenes by focusing on essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like buildings, boats, and trees.

  2. step 02

    Block in the sky with a thin wash of light blue and gray, allowing for subtle variations in tone.

  3. step 03

    Establish the overall value structure of the buildings, using a mix of warm and cool grays.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections of the buildings and boats.

  5. step 05

    Add details to the boats, including masts, sails, and rigging.

  6. step 06

    Paint the trees with loose, expressive brushstrokes, varying the color and value to create depth.

  7. step 07

    Refine the details of the buildings, adding windows, doors, and other architectural features.

  8. step 08

    Add final touches, such as highlights and shadows, to enhance the overall sense of realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green

Mix grays by combining ultramarine blue, burnt umber, and titanium white. Use yellow ochre and burnt umber to create warm tones for the buildings and boats. Add small amounts of cadmium red to warm up the grays and browns.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the reflections too literal and symmetrical.
  • →Using colors that are too saturated and bright.
  • →Failing to establish a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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