apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Brown and White Norfolk or Water Spaniel
Brown and White Norfolk or Water Spaniel by George Stubbs

plate no. 0478

Brown and White Norfolk or Water Spaniel

George Stubbs, 1778

oil, panelRomanticismanimal paintingdoglandscapegrassskycloudsfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering animal anatomy, creating realistic fur texture, and capturing subtle atmospheric perspective in the background. It also provides practice in mixing naturalistic colors and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the dog and the landscape elements, paying attention to proportions.

  2. step 02

    Block in the main color areas of the dog's fur (white and brown) and the background (sky, grass, and foliage).

  3. step 03

    Start adding details to the dog's fur, using short, broken brushstrokes to create texture.

  4. step 04

    Refine the background, adding details to the trees, grass, and sky.

  5. step 05

    Develop the shadows and highlights on the dog and in the landscape to create depth and form.

  6. step 06

    Add the small details, such as the dog's eyes, nose, and paws, and the flowers in the foreground.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ultramarine blue · sap green · raw sienna

Mix various shades of brown by combining burnt umber with yellow ochre and white. Achieve the sky color by mixing ultramarine blue with white, and the green hues by combining yellow ochre, ultramarine blue and white.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the fur texture, resulting in a flat or unrealistic appearance.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·sap green oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke