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home·artworks·Brookville
Brookville by T. C. Steele

plate no. 7178

Brookville

T. C. Steele, 1898

oil, canvasImpressionismlandscapewaterbuildingsdocksskyboatslandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly for atmospheric perspective, and in capturing the texture of water and weathered buildings with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the buildings and docks.

  2. step 02

    Block in the sky with light blues and whites, blending softly to create a hazy effect.

  3. step 03

    Establish the water with varying shades of blue, green, and purple, using horizontal strokes to suggest movement.

  4. step 04

    Paint the distant mountains with muted blues and purples to create atmospheric perspective.

  5. step 05

    Add the buildings and docks, using a mix of browns, grays, and purples, paying attention to the light and shadow.

  6. step 06

    Create reflections in the water using slightly darker and blurred versions of the colors above.

  7. step 07

    Add details such as the boats and figures, keeping them simple and impressionistic.

  8. step 08

    Refine the brushwork and color variations to capture the overall mood and texture of the painting.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · alizarin crimson · viridian green

Mix blues and whites for the sky and water, adding small amounts of other colors to create subtle variations. Use burnt umber and white for the buildings, adding touches of purple and yellow ochre for warmth.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless painting.
  • →Ignoring the atmospheric perspective, making the distant elements appear too sharp and defined.
  • →Getting bogged down in details, losing the overall impressionistic effect.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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