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home·artworks·Breakfast in the Garden
Breakfast in the Garden by Giuseppe de Nittis

plate no. 9544

Breakfast in the Garden

Giuseppe de Nittis, 1883

oil, canvasImpressionismgenre paintingfigurestable settinggardentreesducksfood
experienced study

Recreating this painting will help students develop skills in capturing light and shadow in an outdoor setting, as well as rendering complex textures and reflections on various surfaces. It also provides practice in depicting figures in a naturalistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements like the table, figures, and background.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the lawn, trees, and tablecloth.

  3. step 03

    Develop the background, paying attention to the variations in green and the dappled light filtering through the trees.

  4. step 04

    Start defining the figures, focusing on capturing their forms and the way light falls on them.

  5. step 05

    Work on the details of the table setting, including the dishes, silverware, and glassware, paying attention to reflections and highlights.

  6. step 06

    Add details to the ducks and geese in the background, using small brushstrokes to suggest their forms and textures.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · viridian · titanium white · raw umber

secondary · cadmium red · ultramarine blue · burnt sienna

Mix greens by blending yellow ochre and viridian. Use white to create highlights and lighten colors. Create shadows by adding raw umber or burnt sienna to existing colors.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending
  • ·impasto

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Creating muddy colors by overmixing.
  • →Losing the overall sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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