apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Breakfast for Three
Breakfast for Three by Charles Courtney Curran

plate no. 8068

Breakfast for Three

Charles Courtney Curran, 1909

oilImpressionismgenre paintingfigurestablefruitinteriorstill lifefood
some experience helpful

Recreating this painting will help students develop skills in rendering figures in soft light and shadow, as well as creating realistic textures for fabrics and fruit. It's a good exercise in capturing a mood and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Block in the large areas of color, starting with the background and the tablecloth.

  3. step 03

    Establish the main light source and begin to define the shadows on the figures and objects.

  4. step 04

    Develop the details of the faces, paying attention to the subtle shifts in value and color.

  5. step 05

    Add the details of the fruit, glassware, and other objects on the table.

  6. step 06

    Refine the edges and blend the colors to create a soft, atmospheric effect.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and make any necessary adjustments to the overall composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · alizarin crimson · ultramarine blue

Achieve the subtle skin tones by mixing white, red, yellow ochre, and a touch of umber. Use a limited palette and mix colors on the canvas to create a harmonious effect.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·selection of round and flat brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann