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home·artworks·Brakkebroen landing stage on Saltholm
Brakkebroen landing stage on Saltholm by Theodor Philipsen

plate no. 5099

Brakkebroen landing stage on Saltholm

Theodor Philipsen, 1881

oilImpressionismmarinaseaskycloudsboatpierfigures
some experience helpful

This painting provides an opportunity to practice atmospheric perspective and rendering reflections in water. Students can also develop their skills in depicting figures and animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the pier and boat.

  2. step 02

    Block in the sky with light blues and whites, creating soft, blended clouds.

  3. step 03

    Establish the base color for the sea, varying the blues and greens to suggest depth.

  4. step 04

    Paint the pier with a mix of browns and grays, paying attention to the perspective and the shadows.

  5. step 05

    Add the boat, figures, and animals, using simplified shapes and colors.

  6. step 06

    Refine the details of the clouds, water, and pier, adding highlights and shadows.

  7. step 07

    Create reflections of the boat and pier in the water using slightly darker and blurred versions of the colors.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · raw sienna · cadmium red light

Mix blues and whites for the sky and sea. Use burnt umber and white for the pier. Add yellow ochre and cadmium red to burnt umber for the figures and animals.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Incorrect perspective on the pier.
  • →Making the colors too saturated.
  • →Ignoring the subtle variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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