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home·artworks·Boulevard des Italiens, Paris
Boulevard des Italiens, Paris by John Crome

plate no. 8643

Boulevard des Italiens, Paris

John Crome, 1815

oilRomanticismlandscapetreesbuildingsfiguresstreet scenemarketsky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex textures like foliage and cobblestones, and capturing the nuances of light and shadow in a busy scene. It also offers practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, trees, and the main figures.

  2. step 02

    Establish the sky and background with thin washes of color, creating a sense of atmospheric perspective.

  3. step 03

    Block in the larger shapes of the buildings and trees, paying attention to their relative values.

  4. step 04

    Begin adding details to the buildings, such as windows and architectural features.

  5. step 05

    Develop the foliage of the trees, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Paint the figures in the foreground, focusing on their poses and interactions.

  7. step 07

    Add details to the market stalls and other elements of the street scene.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create a sense of light and shadow.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · Prussian blue · burnt sienna

Achieve the muted greens by mixing yellow ochre with small amounts of Prussian blue and raw umber. Use white to lighten values and create highlights. Burnt sienna adds warmth to the earth tones.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, which can lead to a stiff and unnatural look.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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