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home·artworks·Boulevard des Capucines et Madeleine
Boulevard des Capucines et Madeleine by Antoine Blanchard

plate no. 1064

Boulevard des Capucines et Madeleine

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingsstreetfigurestreessky
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for atmospheric perspective, and capturing the impression of light and movement in a cityscape. It also encourages simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the sky with a thin wash of blues and grays.

  3. step 03

    Establish the basic values of the buildings, using warmer tones for the lit areas and cooler tones for the shadows.

  4. step 04

    Add the trees and foliage with loose, broken brushstrokes, varying the colors to create depth.

  5. step 05

    Paint the figures with simple shapes and minimal detail, focusing on their silhouettes and movement.

  6. step 06

    Add reflections on the wet street using horizontal strokes and slightly darker values.

  7. step 07

    Introduce highlights and details to the buildings and figures to create focal points.

  8. step 08

    Refine the overall composition and adjust values as needed to create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix various shades of gray by combining ultramarine blue, burnt umber, and white. Use yellow ochre and white for the warm tones of the buildings. Add small amounts of cadmium red to create warmer browns and oranges.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the perspective and creating a flat, unrealistic composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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