apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Boulevard de la Madeleine
Boulevard de la Madeleine by Antoine Blanchard

plate no. 1007

Boulevard de la Madeleine

Antoine Blanchard

oilImpressionismcityscapecityscapestreetbuildingsfigureshorse-drawn carriagetrees
some experience helpful

This painting is great for practicing atmospheric perspective and capturing the feeling of a bustling city street. Students can learn to simplify complex scenes into basic shapes and use loose brushstrokes to create texture and movement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and street.

  2. step 02

    Block in the main shapes and colors of the buildings, sky, and street using thin washes.

  3. step 03

    Add the larger details of the buildings, such as windows and architectural features.

  4. step 04

    Paint the figures and carriages, focusing on capturing their movement and gestures with quick brushstrokes.

  5. step 05

    Add the trees and foliage, using a variety of greens and browns to create depth and texture.

  6. step 06

    Refine the details of the street, including reflections and puddles.

  7. step 07

    Add highlights and shadows to create contrast and dimension.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of gray for the buildings and sky by combining white, blue, and umber. Use yellow ochre and burnt umber to create warm tones for the street and buildings. Add small amounts of crimson and blue to darken the shadows.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and bright.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann