apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bouleternère
Bouleternère by Charles Rennie Mackintosh

plate no. 0356

Bouleternère

Charles Rennie Mackintosh, 1926

oilArt Nouveau (Modern)cityscapecityscapebuildingsarchitecturevillagehillsidesky
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, perspective, and creating depth through layering and subtle color variations. It also provides practice in capturing the unique character of a place through careful observation and detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and landscape.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Begin with a light wash of diluted blue for the sky, leaving space for the cloud.

  4. step 04

    Apply a light wash of grey-brown to the buildings, establishing the base tone.

  5. step 05

    Layer in darker tones to define shadows and architectural details.

  6. step 06

    Add the red-brown color for the roofs, varying the intensity for depth.

  7. step 07

    Use a fine brush to add details like windows, doors, and architectural trim.

  8. step 08

    Finish with subtle washes of green for the landscape at the base.

color palette

primary · raw umber · burnt sienna · cerulean blue

secondary · yellow ochre · sap green · ivory black

Mix raw umber and cerulean blue for the grey tones of the buildings. Vary the intensity by adding more water or a touch of burnt sienna. Use yellow ochre and burnt sienna for the roof tiles, adjusting the ratio for different shades.

techniques

  • ·layering washes
  • ·dry brushing
  • ·linear perspective
  • ·color mixing
  • ·rendering architectural details

common pitfalls

  • →overworking the details
  • →losing the light and shadow balance
  • →inaccurate perspective
  • →muddying the colors

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (1/2 inch)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois