
plate no. 4360
Pierre Roy, 1949
Recreating this painting will help students develop skills in perspective, particularly in rendering the receding planes of the room and the objects within it. It also provides practice in creating a muted color palette and capturing subtle tonal variations.
technical profile
approach — 8 steps
Begin with a light sketch to establish the overall composition and perspective lines.
Block in the main shapes and forms with thin washes of color, focusing on the large areas of tone.
Develop the background wall and the various paintings, paying attention to their relative sizes and positions.
Refine the bust, gradually building up the form with layers of highlights and shadows.
Add details to the table and the objects on it, focusing on accurate proportions and textures.
Work on the doorway and the view into the next room, creating a sense of depth.
Add the final highlights and details to bring the painting to life.
Review and adjust the overall balance of the painting, making sure that the values and colors are harmonious.
color palette
primary · raw umber · titanium white · ivory black
secondary · cadmium red · yellow ochre · ultramarine blue
Achieve the muted tones by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and black to darken them. The green wall is a mix of raw umber, ivory black, and a touch of ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.
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