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home·artworks·Boris Anrep in his Studio, 65 Boulevard Arago
Boris Anrep in his Studio, 65 Boulevard Arago by Pierre Roy

plate no. 4360

Boris Anrep in his Studio, 65 Boulevard Arago

Pierre Roy, 1949

oilMagic Realisminteriorbustinteriortabledoorwaypaintingsstill life
experienced study

Recreating this painting will help students develop skills in perspective, particularly in rendering the receding planes of the room and the objects within it. It also provides practice in creating a muted color palette and capturing subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective lines.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on the large areas of tone.

  3. step 03

    Develop the background wall and the various paintings, paying attention to their relative sizes and positions.

  4. step 04

    Refine the bust, gradually building up the form with layers of highlights and shadows.

  5. step 05

    Add details to the table and the objects on it, focusing on accurate proportions and textures.

  6. step 06

    Work on the doorway and the view into the next room, creating a sense of depth.

  7. step 07

    Add the final highlights and details to bring the painting to life.

  8. step 08

    Review and adjust the overall balance of the painting, making sure that the values and colors are harmonious.

color palette

primary · raw umber · titanium white · ivory black

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and black to darken them. The green wall is a mix of raw umber, ivory black, and a touch of ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →Incorrect perspective, leading to a distorted sense of space.
  • →Overworking the details too early, before establishing the overall composition.
  • →Using colors that are too bright or saturated, disrupting the muted atmosphere.
  • →Failing to capture the subtle tonal variations, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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related guides

oil painting for beginners →how to learn by studying the masters →
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