apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Borcanul cu smântână (Smaranda)
Borcanul cu smântână (Smaranda) by Camil Ressu

plate no. 9811

Borcanul cu smântână (Smaranda)

Camil Ressu

oilImpressionismportraitfigureportraitjarshadowdressfloor
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow, and creating form with visible brushstrokes. It also provides practice in mixing muted color palettes and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, jar, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Block in the main colors of the background, figure, and jar, focusing on the overall value relationships.

  4. step 04

    Begin to refine the shapes and details, paying attention to the contours and edges.

  5. step 05

    Add layers of paint to build up the color and texture, using visible brushstrokes.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and form.

  7. step 07

    Add final details, such as the facial features and the texture of the jar.

  8. step 08

    Adjust the overall composition and color balance as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, titanium white, and small amounts of alizarin crimson and ultramarine blue. Use white to lighten the values and create highlights.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and contours.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann