apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bonnie Prince Charlie
Bonnie Prince Charlie by John Pettie

plate no. 9409

Bonnie Prince Charlie

John Pettie, 1893

oilRomanticismportraitportraitfiguresclothinghistoricaltartaninterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like fabric and skin tones. It also provides practice in creating depth and atmosphere through the use of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Begin to refine the figures, paying close attention to the details of their clothing and facial features.

  5. step 05

    Build up layers of color and texture to create a sense of realism.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the details and add finishing touches.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · raw sienna

Achieve skin tones by mixing titanium white, cadmium red, and yellow ochre, adjusting the proportions to create variations in color. Use burnt umber and ivory black to create dark shadows and muted tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Not capturing the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·oil paints (burnt umber, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke