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home·artworks·Bona Ossowiecka
Bona Ossowiecka by Jan Matejko

plate no. 1910

Bona Ossowiecka

Jan Matejko

oilRomanticismportraitportraitfigureclothingjewelryhairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also improve their understanding of value and color relationships in creating depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and main features.

  2. step 02

    Establish the background with a dark, muted green, blending the tones to create depth.

  3. step 03

    Block in the main areas of the face with mid-tones, gradually building up the highlights and shadows.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  5. step 05

    Paint the hair, using a variety of browns and blacks to create texture and volume.

  6. step 06

    Render the clothing, focusing on the folds and shadows to create a sense of depth.

  7. step 07

    Add the jewelry, paying attention to the highlights and reflections.

  8. step 08

    Refine the details and make any necessary adjustments to the overall composition.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of brown and black for the clothing and hair. Use white and yellow ochre to create highlights on the face and jewelry. Mix viridian with ivory black and raw umber for the background.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall values.
  • →Using too much black, resulting in a flat and lifeless painting.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Ivory black oil paint
  • ·Raw umber oil paint
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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