
plate no. 9688
Christo Coetzee, 1998
This painting provides an opportunity to practice layering translucent washes and creating texture with visible brushstrokes. Students can learn to simplify complex forms and capture a mood rather than precise detail.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure, window, and floral arrangement.
Apply a thin wash of diluted burnt umber or raw sienna to establish the overall tone of the skin and dress.
Layer washes of pink, purple, and brown to build up the shadows and mid-tones in the face and clothing.
Paint the dark background and window frame using black and grey, leaving some areas lighter to suggest light.
Add details to the flowers using darker shades of purple and pink, and lighter highlights.
Create the veil effect by dripping diluted white paint and using a fine brush to add delicate lines.
Add final highlights and details to the face and dress, paying attention to the light and shadow.
Review and adjust the values and colors as needed.
color palette
primary · burnt umber · titanium white · rose madder
secondary · payne's gray · purple · yellow ochre
Mix pinks and purples by combining rose madder with white and a touch of purple. Use burnt umber and white for skin tones, adjusting with small amounts of yellow ochre or rose madder for warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Acrylics are recommended for their fast drying time, which allows for layering washes effectively. Use a retarder medium to extend the drying time if needed.
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